Morning Light, Winter Stream, oil/linen, 30"x40"
In this painting, I was trying to capture a sense of light that can be most fleeting -- delicate warm sunlight filtering through the distant trees and onto the snow in the foreground. I used a tonalist approach for the distant shoreline by using darker shapes against the snow on the distant bank. I also incorporated a luminist approach to color where as I created a sense of light and shadow in the foreground with temperature changes rather than value changes. This enables me to keep the snow in shadow bright and light instead of dark and murky if I had used a dramatic value change.
Here, I used lighter values on the branches of the near tree to create a separation of snow on those branches from the background and also some flecks of warmer light.
Rather than using a dramatic value shift to seperate light and shadow on the snow, I chose to hold the separation with a change in color temperature. Shaodws are cool and the lights are warm. This technique yields a much more subtle and sophisticated approach to the representation of light and shadow.
One final detail to show the reflections in the water are warm because of what is directly above it -- the warmth in the trees.
Here, I used lighter values on the branches of the near tree to create a separation of snow on those branches from the background and also some flecks of warmer light.
Rather than using a dramatic value shift to seperate light and shadow on the snow, I chose to hold the separation with a change in color temperature. Shaodws are cool and the lights are warm. This technique yields a much more subtle and sophisticated approach to the representation of light and shadow.
One final detail to show the reflections in the water are warm because of what is directly above it -- the warmth in the trees.
This painting is a finalist in the Art Renewal Center's 6th Annual 2009/10 Salon Competition.
No comments:
Post a Comment